Tal Paz-Fridman

Tal Paz-Fridman

Nazywam się Tal Paz-Fridman, jestem fotografem specjalizującym się w fotografii kreatywnej i dokumentalnej. Parafrazując opis jednego z moich ulubionych fotografów, Sama Abella, mój styl fotografii jest dokumentalny w tym sensie, że zapisuję otaczający mnie świat. Jednak czuję, że moja najlepsza praca ma cechy transcendentne, zaczynając od poziomu dokumentalnego, ale otwierając się na interpretację na poziomie estetycznym.

Filtry

Wnętrze
Projekt
The Uniqueness of Waves XXXVI

The Uniqueness of Waves XXXVI

The Uniqueness of Waves XXXVII

The Uniqueness of Waves XXXVII

Orange, Green and Dark

Orange, Green and Dark

In light of current events IV

In light of current events IV

The Pink Half

The Pink Half

Winter Surfing III

Winter Surfing III

Scenes from Eilat 2018 32

Scenes from Eilat 2018 32

Electricity Plant

Electricity Plant

The fisherman I

The fisherman I

Crossroads

Crossroads

Blue Lupine 4

Blue Lupine 4

Crane(s) V

Crane(s) V

Sunrise over Ramon crater 6

Sunrise over Ramon crater 6

Autumn Clouds

Autumn Clouds

Two Sailboats

Two Sailboats

Clouds 7

Clouds 7

Atmosphere II

Atmosphere II

Lag BaOmer II

Lag BaOmer II

Winter Surfing VII

Winter Surfing VII

Out of the green

Out of the green

Fallen Leaves 0

Fallen Leaves 0

The Dead Sea #7

The Dead Sea #7

Winter is finally here

Winter is finally here

Scenes from Eilat 2018, 23

Scenes from Eilat 2018, 23

The Dead Sea

The Dead Sea

Overhead

Overhead

Branches and Leaves I

Branches and Leaves I

The fisherman II

The fisherman II

Powerful

Powerful

Just the two of us

Just the two of us

View of Gush Dan

View of Gush Dan

Sunrise over Ramon crater 7

Sunrise over Ramon crater 7

Twilight in the outdoors

Twilight in the outdoors

Scenes from Eilat 2018 30

Scenes from Eilat 2018 30

The Uniqueness of Waves XXXVIII

The Uniqueness of Waves XXXVIII

A Farewell to Day 7.1

A Farewell to Day 7.1

Cloudy with a touch of Pink

Cloudy with a touch of Pink

Blue Clouds I

Blue Clouds I

Crane(s) II

Crane(s) II

Morning has broken

Morning has broken

Syrian thistle

Syrian thistle

Office Space

Office Space

Black Clouds II

Black Clouds II

Mountains of the Judean Desert 5

Mountains of the Judean Desert 5

Infinite Sea

Infinite Sea

Storm #2

Storm #2

Winter Surfing II

Winter Surfing II

Winter leaves I

Winter leaves I

Rainy Day

Rainy Day

Lone Surfer

Lone Surfer

Cloud(s) 12

Cloud(s) 12

Whole 2

Whole 2

In light of current events VII

In light of current events VII

Memories from Crete #8

Memories from Crete #8

Breakup

Breakup

Natural Geometries I

Natural Geometries I

A Farewell to Day 7.2

A Farewell to Day 7.2

Black and White

Black and White

Cloud(s) #13

Cloud(s) #13

Up and Down

Up and Down

Storm #1

Storm #1

On the turning away

On the turning away

Sunrise over Ramon crater 3

Sunrise over Ramon crater 3

After the sun has set I

After the sun has set I

Rosemary Plant

Rosemary Plant

Yoreh III

Yoreh III

Vintage IAF XIII

Vintage IAF XIII

Track and Field

Track and Field

The Uniqueness of Waves XL

The Uniqueness of Waves XL

Arbel II

Arbel II

Two

Two

Experiments with Leaves II

Experiments with Leaves II

Ocean Dunes

Ocean Dunes

A Farewell to Day 2.3

A Farewell to Day 2.3

The Dead Sea #4

The Dead Sea #4

A Farewell to Day 2.2

A Farewell to Day 2.2

Overhead 11

Overhead 11

At the aquarium 3

At the aquarium 3

Storm over the Mediterranean

Storm over the Mediterranean

Pure Joy

Pure Joy

The Hula Valley 2

The Hula Valley 2

At the aquarium 5

At the aquarium 5

Balloons

Balloons

Sunset over the Mountains of Eilat I

Sunset over the Mountains of Eilat I

A Farewell to Day 3

A Farewell to Day 3

Escape I

Escape I

Lag BaOmer V

Lag BaOmer V

After the storm

After the storm

Winter leaves II

Winter leaves II

Seaside 32

Seaside 32

Lost inside the Louvre

Lost inside the Louvre

A New Day

A New Day

Winter storm over Sidni Ali beach II

Winter storm over Sidni Ali beach II

Roots I

Roots I

Seaside 27

Seaside 27

Branches and Leaves V

Branches and Leaves V

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